2015
2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 |
performances | performance installations | exhibitions | larps | residencies | workshops |
work session | presentations | panel discussions | symposium | meetup | radio |
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STEIM STAFF WINTER PARTY
The end of the year always puts STEIM into a festive mode! This year we would like to keep things close to ourselves and present a line-up filled with STEIM Staff members and interns
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Wezen - Gewording at DAFX '15
During the DAFX 2015 concert I will be performing Wezen-Gewording.
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Keynote talk at DAFX
Digital audio out of the box - digital audio effects in art and experimental music. While since the late 1990's laptops have become a common element in electronic music on stage in recent years there is a move away again from the laptop towards dedicated devices that perform one particular task. With the advent of platforms such as the BeagleBone Raspberry Pi, but also Arduino, efficient computing of digital audio has found a large interest amongst artists who create their own instruments or sounding objects usually within the context of open source software and hardware. In this talk I will show various examples of these applications of digital audio in the field of art and experimental music; and discuss how their development and discourse is embedded in the open source movement.
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Oorsprong - Een Osmotische Avond V
Improvisation with: Dirar Kalash / Saxophone & Laptop, Robin Koek / Electronics, Marije Baalman / Electronics, Semay Wu / Electronics
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LOOP in Berlin
A Summit for Music Makers. Loop is three days of performances, talks, and interactive workshops aimed at exchanging ideas at the cutting edge of music creativity and technology. Bringing together artists technologists and other creative thinkers Loop is a collective exploration of what it is to make music today and what it could be tomorrow. I am taking part in the Open Source panel: https://loop.ableton.com/program/state-open-source/
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Nigredo
(Marco Donnarumma in collaboration with Marije Baalman) 'Nigredo' is an experience of altered self-perception by means of biophysical media – throwing visitors back on bare humanity. 'Nigredo is not for the faint of heart' say some. 'Nigredo is totally relaxing' say others. Nigredo is an experience of altered self-perception for one visitor at a time by means of biophysical media, created by Marco Donnarumma in collaboration with Marije Baalman. Carefully but resolutely the work pushes visitors to their individual physical and perceptual limits. Completely cut off from the hustle and bustle of the outside world wired and connected up with all manner of sensors and technological devices visitors become cyborgs for eight minutes while being thrown back on bare humanity. Intense auditory, visual and tactile stimuli performed by a machine with pinpoint precision are initiated by the pulsation of one’s own body. It is a feedback process that engages equally the human body and the machine triggering perceptions of one's own body that can only be rationally classified with hindsight. Nigredo is equally reminiscent of our uniformity and uniqueness – for all the immediacy of this self-experience trip, perceived now as too short, now as too long, may take us to the realm of both perceptual expanse and constraint.
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International METABODY Forum
Residency workshops and performances as part of the METABODY project (with STEIM).
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N-Polytope at Nuit Blanche, Paris
N-Polytope is back on tour - this time in Paris during the Nuit Blanche
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Wezen - Gewording
Wezen is a solo music-theatre work where I try to explore the relationship between theatrical gesture and musical instrument between the body and the sonic world. Gewording (Becoming) is the first performance version where the link between physical and sonic gesture is explored during a live performance combining movement of the body and live coding.
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Embodiment of Code
The code we read on the screens of a livecoding performance is an expression of our compositional concepts. In this paper I reflect on the practice of livecoding from the concept of embodiment as proposed by Varela Thompson and Rosch (1991): how we as coders embody the code how machines can embody code and how we inevitably need to deal with the physicality of the machines and our own bodies that we use in our performances and how we adapt both our machines and bodies to enable our performances.
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Livecoding relations between body movement and sound
Workshop on livecoding relationships between body movement and sound. Using wireless sensors that capture movement of the body and a data sharing network the participants will engage in collaboratively create mappings of sensor data to sonic or other media output.
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Modalities of sonic interaction
The workshop will give an introduction into the Modality toolkit, which simplifies creation of highly personalised electronic instruments in SuperCollider by introducing a common code interface. This allows for uniform access to HID, MIDI, OSC and GUI-based conrollers as well as switching of functionality, even at runtime. After a basic introduction to show how to hook up your own devices we will demonstrate and discuss some of the setups that we use in our own work and how Modality is used and not yet used in these setups. Together with Wouter Snoei.
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3DMin symposium
3 day symposium on instrument design where I will be talking about 'Interplay between composition, instrument design and performance'
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Wezen-Gewording bij Kunst achter Dijken
Back to the roots - a special performance in the central church of the small village I was born. Performances at: Saturday 15h30 - 15h45, Saturday 21h30 - 21h45, Sunday 12h30 - 12h45, Sunday 16h00 - 16h15
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Wezen-Gewording at Electrosketch concert
Dirty drafts of electronic adventures. STEIM related musicians show off their ongoing projects. A night of live performances, new ideas and some shocking sounds.
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Performance at Affording Differences
A performance of Wezen-Gewording at the Bauhaus University in Weimar. Part of the METABODY project.
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Oorsprong Curators Series
A night of improvisations at the Bimhuis as a special edition of the Oorsprong Curators Series
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2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 |
performances | performance installations | exhibitions | larps | residencies | workshops |
work session | presentations | panel discussions | symposium | meetup | radio |