2021
| 2025 | 2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 |
| performances | performance installations | exhibitions | larps | residencies | workshops |
| work session | presentations | panel discussions | symposium | meetup | radio |
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"the machine is learning" at Bartalk #25: Control
The performance "the machine is learning" evolved out of the GeCoLa project. Machine learning is hailed as both the solution to our current day problems, as well as one of the most threatening things to life as we know it. The performance the machine is learning is a theatrical performance highlighting the process of training a machine with realtime gestures: the labour that is absent from most dialogues on machine learning.
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"the machine is learning" at "AiiiiiiiiiiiiiiAaAAIIIIIIIIIaaaaiiiiiiiiiiï" at iMal
The performance "the machine is learning" evolved out of the GeCoLa project. Machine learning is hailed as both the solution to our current day problems, as well as one of the most threatening things to life as we know it. The performance the machine is learning is a theatrical performance highlighting the process of training a machine with realtime gestures: the labour that is absent from most dialogues on machine learning.
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N-Polytope at Transart Festival in Bolzano
N-polytope (After Xenakis) is a spectacular light and sound environment combining cutting edge lighting lasers sound sensing and artificial intelligence software technologies inspired by composer Iannis Xenakis’s radical 1960s-1970s works named “Polytopes” (from the Greek poly many and topos space). As large scale immersive architectural environments that made the indeterminate and chaotic patterns and behavior of natural phenomena experiential through the temporal dynamics of light and the spatial dynamics of sound the polytopes still to this day are relatively unknown but were far ahead of their time: a major landmark in the history of the audio-visual arts and performative architectural practice.
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Hosting online SuperCollider meetup at NOTAM
SuperCollider is an open source framework for audio synthesis and algorithmic composition. It's one of the most popular and widely used programming environments for sound work and is available for free for all platforms – it can even be embedded on micro computers like the Raspberry Pi and Bela. SuperCollider is useful for many things: Algorithmic composition, generative music, all things computer music, livecode performances, in conjunction with microcontrollers and sensors, for installation work, multi channel work, dsp, research, ambisonics or simply sound hacking. At these meetups, SuperCollider users of all skill levels get together to share ideas, frustrations, help eachother and show off projects and workflows in an inspiring and friendly way.
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Workshop - Engineered Expression - Digital Instruments in Performance
Creating and performing with new digital and electronic musical instruments has always been an important part of electronic and computer music. This concert and workshop features musicians for whom this is a central part of their practice. Whether it takes the form of a physical interface, motion sensor, or software system, these new instruments are shaped by the artistic and aesthetic goals of the performer. Their instruments become part of their extended musicality, providing tactile interaction with computational processes and algorithms and becoming an essential element of their performance practice. In this concert and workshop we will be exploring the ways in which this manifests in the practice of musicians from several different musical communities. The workshop will be streamed online.
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Wezen - Handeling at Engineered Expression - Digital Instruments in Performance
Creating and performing with new digital and electronic musical instruments has always been an important part of electronic and computer music. This concert and workshop features musicians for whom this is a central part of their practice. Whether it takes the form of a physical interface, motion sensor, or software system, these new instruments are shaped by the artistic and aesthetic goals of the performer. Their instruments become part of their extended musicality, providing tactile interaction with computational processes and algorithms and becoming an essential element of their performance practice. In this concert and workshop we will be exploring the ways in which this manifests in the practice of musicians from several different musical communities. The concert will be streamed online.
read more... | project
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Hosting online SuperCollider meetup at NOTAM
SuperCollider is an open source framework for audio synthesis and algorithmic composition. It's one of the most popular and widely used programming environments for sound work and is available for free for all platforms – it can even be embedded on micro computers like the Raspberry Pi and Bela. SuperCollider is useful for many things: Algorithmic composition, generative music, all things computer music, livecode performances, in conjunction with microcontrollers and sensors, for installation work, multi channel work, dsp, research, ambisonics or simply sound hacking. At these meetups, SuperCollider users of all skill levels get together to share ideas, frustrations, help eachother and show off projects and workflows in an inspiring and friendly way.
read more...
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Half Twaalf (Ongehoord) at Hoogtij #64 - De Haagse hedendaagse kunstroute
field recordings between 22-01-2021 and 17-02-2021. A documentation of sounds left unheard during the time of curfew in the Netherlands. Presented on a dynamic website, the visitor can listen through these walks, and compare the different recordings, jump to pauses in the walk and see a visualisation of their own walk through these recordings.
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Verlust included in AUDIOSPHERE: Sound Experimentation 1980-2020
The sound piece "Verlust" is included in the exhibition AUDIOSPHERE: Social Experimental Audio, Pre- and Post-Internet, put together by Francisco Lopez.
By way of a selection of hundreds of sound works, Audiosphere, Social Experimental Audio, Pre- and Post-Internet looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.
Conceived from a social perspective, and with the aim of revealing and providing context to reflect upon and discuss the techno-cultural changes that have occurred since the 1980s, the exhibition will present the work of a broad number of experimental sound artists, hailing from all over the world, the majority unknown to the contemporary art spectator.
The show will revolve around seven sections, each one addressing different social, technological, historical and cultural processes: genealogies, networks, mega accessibility, cyborgisation, aesthetogenesis, recombination and rights. Although such processes have been generated collectively and today are widespread, they have not been sufficiently identified, acknowledged or analysed artistically.
Audiosphere thus seeks to constitute a non-conceptual, large-scale contemporary art exhibition with no images or objects, underpinned solely by sound works and an exhibition design that facilitates experiential, profound and prolonged listening.
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| 2025 | 2024 | 2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 |
| performances | performance installations | exhibitions | larps | residencies | workshops |
| work session | presentations | panel discussions | symposium | meetup | radio |