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Composing Interactions - An Artist's Guide to Building Expressive Interactive Systems
Marije A.J. Baalman | Book | 2022
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V2_ Publishing
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Mapping the question of mapping
Marije A.J. Baalman | Colloquial paper | 2020
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Live Interfaces, ICLI 2020, Trondheim
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Als Fair Practice Code het antwoord is, wilt u dan de vraag nog eens herhalen?
Marije Baalman | Online article | 2020
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PlatformBK
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Instrumentality, Perception and Listening in Crossadaptive Performance
Marije A.J. Baalman, Simon Emmerson, Oeyvind Brandtsegg | Conference paper | 2018
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Live Interfaces, ICLI 2018, Porto
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Wireless sensing for artistic applications, a reflection on Sense/Stage to motivate the design of the next stage
Marije A.J. Baalman | Conference paper | 2017
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New Interfaces for Musical Expression, NIME 2017, Copenhagen, May 15-19, 2017
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Embodiment in Code
Marije A.J. Baalman | Conference paper | 2015
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First International Conference on Live Coding, Leeds, UK, July 13-15, 2015
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Making interactive media environments relevant to the participating visitor
Marije A.J. Baalman | Article in journal | 2015
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Multiplicities in motion. Open source bodies-spaces. METABODY Journal of Metacultural Critique nº1. IMF – Metaformance Studies 2013-14
Edited by: Jaime del Val
METABODY Project – Asociación Transdisciplinar Reverso. Madrid 2015
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Modality
Marije A.J. Baalman, Till Bovermann, Alberto de Campo and Miguel Negrao | Conference paper | 2014
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International Computer Music Conference (ICMC) 2014, Athens, Greece, September 14-20, 2014
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A Lion's Game - A Vampire's Tragedy
Marije A.J. Baalman and René Barchmann | Article in book | 2014
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The Cutting Edge of Nordic Larp (Knutpunkt 2014)
Edited by: Jon Back
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Coding in the context of collaborative, interactive performance
Marije A.J. Baalman | Article in journal | 2011
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Kunsttexte, Auditive Perspektiven, 2-2011
Kunsttexte.de
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5 years of using SuperCollider in real-time interactive performances and installations – retrospective analysis of Schwelle, Chronotopia and Semblance
Marije A.J. Baalman | Conference paper | 2010
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Linux Audio Conference (LAC) 2010, Utrecht, The Netherlands, May 1-4, 2010
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Sense/Stage — low cost, open source wireless sensor and data sharing infrastructure for live performance and interactive realtime environments
Marije A.J. Baalman, Harry C. Smoak, Vincent de Belleval, Brett Bergmann, Christopher L. Salter, Joseph Malloch, Joseph Thibodeau and Marcelo M. Wanderley. | Conference paper | 2010
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Linux Audio Conference (LAC) 2010, Utrecht, The Netherlands, May 1-4, 2010
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Sense/Stage — low cost, open source wireless sensor and data sharing infrastructure for live performance and interactive realtime environments
Marije A.J. Baalman, Vincent de Belleval, Christopher L. Salter, Joseph Malloch, Joseph Thibodeau and Marcelo M. Wanderley | Conference paper | 2010
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International Computer Music Conference (ICMC) 2010, New York City / Stony Brook, NY, USA, June 1-5, 2010
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Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork
Marije A.J. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch, and Marcelo M. Wanderley | Conference paper | 2009
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New Interfaces for Musical Expression (NIME) 2009, Pittsburgh, USA, June 4-7, 2009
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On Wave Field Synthesis and electro-acoustic music, with a particular focus on the reproduction of arbitrarily shaped sound sources
Marije A.J. Baalman | Ph.D. thesis | 2008
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TU Berlin, Germany / VDM Verlag Dr. Mueller e.K.,
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Renewed architecture of the sWONDER software for wave field synthesis on large scale systems
Marije A.J. Baalman, Torben Hohn, Simon Schampijer, and Thilo Koch | Conference paper | 2007
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Linux Audio Conference 2007, TU Berlin, 22-25 March 2007
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Schwelle: Sensor augmented, adaptive sound design for live theater performance
Daniel Moody-Grigsby, Marije A.J. Baalman, and Christopher L. Salter | Conference paper | 2007
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New Interfaces for Musical Expression (NIME) 2007, New York, USA, June 6-10, 2007
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Between mapping, sonification and composition: Responsive audio environments in live performance
Christopher L. Salter, Marije A.J. Baalman, and Daniel Moody-Grigsby | Conference paper | 2007
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International Computer Music Conference 2007, Copenhagen, Denmark, 27-31 August 2007
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On wave field synthesis and electro-acoustic music - state of the art 2007
Marije A.J. Baalman | Conference paper | 2007
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International Computer Music Conference 2007, Copenhagen, Denmark, 27-31 August 2007
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swonder3Dq: Auralisation of 3D objects with wave field synthesis
Marije A.J. Baalman. | Conference paper | 2006
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4th International Linux Audio Conference, ZKM, Karlsruhe, April 27-30, 2006
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Updates of the WONDER software interface for using wave field synthesis
Marije A.J. Baalman | Conference paper | 2005
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3rd International Linux Audio Conference, April 21-24, 2005, ZKM, Karlsruhe
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Elevation problems in the auralisation of sound sources with arbitrary shape with wave field synthesis
Marije A.J. Baalman | Conference paper | 2005
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International Computer Music Conference 2005, 1-6 September 2005, Barcelona, Spain
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Application of wave field synthesis in electronic music and sound installations
Marije A.J. Baalman | Conference paper | 2004
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2nd International Linux Audio Conference, 29 april - 2 Mai 2004, ZKM, Karlsruhe
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WONDER - a software interface for the application of wave field synthesis in electronic music and interactive sound installations
Marije A.J. Baalman and D. Plewe | Conference paper | 2004
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International Computer Music Conference 2004, Miami, 1-6, November 2004
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The STRIMIDILATOR, a string controlled MIDI-instrument
Marije A.J. Baalman | Conference paper | 2003
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New Interfaces for Musical Expression (NIME) 2003, Montreal, Canada, 22-24 May 2003
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Application of wave field synthesis in the composition of electronic music
Marije A.J. Baalman | Conference paper | 2003
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International Computer Music Conference 2003, Singapore, 29 September - 4 October 2003