Key publications

• Composing Interactions - An Artist's Guide to Building Expressive Interactive Systems
  Marije A.J. Baalman | Book | 2022
  
  read... V2_ Publishing
• Interplay Between Composition, Instrument Design and Performance
  Marije A.J. Baalman | Article in book | 2016
  related project: wezen-gewording
  Musical Instruments in the 21st Century. Identities, Configurations, Practices
  Edited by: Till Bovermann, Alberto de Campo, Stefan Weinzierl
  Springer Verlag
• Embodiment in Code
  Marije A.J. Baalman | Conference paper | 2015
  related project: code-livecode-live
  read... First International Conference on Live Coding, Leeds, UK, July 13-15, 2015
  
• Spatial Composition Techniques and Sound Spatialisation Technologies
  Marije A.J. Baalman | Article in journal | 2010
  
  Organised Sound (2010), 15: 209-218
  Cambridge University Press

Publications

• Composing Interactions - An Artist's Guide to Building Expressive Interactive Systems
  Marije A.J. Baalman | Book | 2022
  
  read... V2_ Publishing
• Mapping the question of mapping
  Marije A.J. Baalman | Colloquial paper | 2020
  
  read... Live Interfaces, ICLI 2020, Trondheim
  
• Als Fair Practice Code het antwoord is, wilt u dan de vraag nog eens herhalen?
  Marije Baalman | Online article | 2020
  
  read... PlatformBK
• Instrumentality, Perception and Listening in Crossadaptive Performance
  Marije A.J. Baalman, Simon Emmerson, Oeyvind Brandtsegg | Conference paper | 2018
  
  read... Live Interfaces, ICLI 2018, Porto
  
• Wireless sensing for artistic applications, a reflection on Sense/Stage to motivate the design of the next stage
  Marije A.J. Baalman | Conference paper | 2017
  
  read... New Interfaces for Musical Expression, NIME 2017, Copenhagen, May 15-19, 2017
  
• Interplay Between Composition, Instrument Design and Performance
  Marije A.J. Baalman | Article in book | 2016
  related project: wezen-gewording
  Musical Instruments in the 21st Century. Identities, Configurations, Practices
  Edited by: Till Bovermann, Alberto de Campo, Stefan Weinzierl
  Springer Verlag
• Embodiment in Code
  Marije A.J. Baalman | Conference paper | 2015
  related project: code-livecode-live
  read... First International Conference on Live Coding, Leeds, UK, July 13-15, 2015
  
• Making interactive media environments relevant to the participating visitor
  Marije A.J. Baalman | Article in journal | 2015
  
  read... Multiplicities in motion. Open source bodies-spaces. METABODY Journal of Metacultural Critique nº1. IMF – Metaformance Studies 2013-14
  Edited by: Jaime del Val
  METABODY Project – Asociación Transdisciplinar Reverso. Madrid 2015
• Modality
  Marije A.J. Baalman, Till Bovermann, Alberto de Campo and Miguel Negrao | Conference paper | 2014
  
  read... International Computer Music Conference (ICMC) 2014, Athens, Greece, September 14-20, 2014
  
• A Lion's Game - A Vampire's Tragedy
  Marije A.J. Baalman and René Barchmann | Article in book | 2014
  
  read... The Cutting Edge of Nordic Larp (Knutpunkt 2014)
  Edited by: Jon Back
  
• Sonic Juggling Balls
  Luuk Schipperheyn and Marije A.J. Baalman | Conference paper | 2013
  
  Seventh International Conference on Tangible, Embedded and Embodied Interaction - TEI2013, Barcelona, Spain, February 10-13, 2013
  
• Coding in the context of collaborative, interactive performance
  Marije A.J. Baalman | Article in journal | 2011
  
  read... Kunsttexte, Auditive Perspektiven, 2-2011
  Kunsttexte.de
• Spatialization with SuperCollider
  Marije A.J. Baalman and Scott Wilson | Article in book | 2011
  
  The SuperCollider Book
  MIT Press
• Collision with the Penguin: SuperCollider on Linux
  Stefan Kersten and Marije A.J. Baalman | Article in book | 2011
  
  The SuperCollider Book
  MIT Press
• Ins and Outs: SuperCollider and External Devices
  Stefan Kersten, Marije A.J. Baalman and Till Bovermann | Article in book | 2011
  
  The SuperCollider Book
  MIT Press
• 5 years of using SuperCollider in real-time interactive performances and installations – retrospective analysis of Schwelle, Chronotopia and Semblance
  Marije A.J. Baalman | Conference paper | 2010
  
  read... Linux Audio Conference (LAC) 2010, Utrecht, The Netherlands, May 1-4, 2010
  
• Sense/Stage — low cost, open source wireless sensor and data sharing infrastructure for live performance and interactive realtime environments
  Marije A.J. Baalman, Harry C. Smoak, Vincent de Belleval, Brett Bergmann, Christopher L. Salter, Joseph Malloch, Joseph Thibodeau and Marcelo M. Wanderley. | Conference paper | 2010
  
  read... Linux Audio Conference (LAC) 2010, Utrecht, The Netherlands, May 1-4, 2010
  
• Sense/Stage — low cost, open source wireless sensor and data sharing infrastructure for live performance and interactive realtime environments
  Marije A.J. Baalman, Vincent de Belleval, Christopher L. Salter, Joseph Malloch, Joseph Thibodeau and Marcelo M. Wanderley | Conference paper | 2010
  
  read... International Computer Music Conference (ICMC) 2010, New York City / Stony Brook, NY, USA, June 1-5, 2010
  
• Spatial Composition Techniques and Sound Spatialisation Technologies
  Marije A.J. Baalman | Article in journal | 2010
  
  Organised Sound (2010), 15: 209-218
  Cambridge University Press
• Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork
  Marije A.J. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch, and Marcelo M. Wanderley | Conference paper | 2009
  
  read... New Interfaces for Musical Expression (NIME) 2009, Pittsburgh, USA, June 4-7, 2009
  
• Between mapping, sonification and composition: Responsive audio environments in live performance
  Christopher L. Salter, Marije A.J. Baalman, and Daniel Moody-Grigsby | Article in book | 2008
  
  Computer Music Modeling and Retrieval. Sense of Sounds, 4th International Symposium, CMMR 2007, Copenhagen, Denmark, August 2007, Revised Papers. Lecture Notes in Computer Science , Vol. 4969
  Edited by: Richard Kronland-Martinet, Soliv Ystad, Kristoffer Jensen
  
• On Wave Field Synthesis and electro-acoustic music, with a particular focus on the reproduction of arbitrarily shaped sound sources
  Marije A.J. Baalman | Ph.D. thesis | 2008
  
  read... TU Berlin, Germany / VDM Verlag Dr. Mueller e.K.,
• Reproduction of arbitrarily shaped sound sources with wave field synthesis - physical and perceptive effects
  Marije A.J. Baalman | Conference paper | 2007
  
  AES 122nd Convention, Vienna, 5-8 May 2007
  
• Renewed architecture of the sWONDER software for wave field synthesis on large scale systems
  Marije A.J. Baalman, Torben Hohn, Simon Schampijer, and Thilo Koch | Conference paper | 2007
  
  read... Linux Audio Conference 2007, TU Berlin, 22-25 March 2007
  
• Schwelle: Sensor augmented, adaptive sound design for live theater performance
  Daniel Moody-Grigsby, Marije A.J. Baalman, and Christopher L. Salter | Conference paper | 2007
  
  read... New Interfaces for Musical Expression (NIME) 2007, New York, USA, June 6-10, 2007
  
• Between mapping, sonification and composition: Responsive audio environments in live performance
  Christopher L. Salter, Marije A.J. Baalman, and Daniel Moody-Grigsby | Conference paper | 2007
  
  read... International Computer Music Conference 2007, Copenhagen, Denmark, 27-31 August 2007
  
• On wave field synthesis and electro-acoustic music - state of the art 2007
  Marije A.J. Baalman | Conference paper | 2007
  
  read... International Computer Music Conference 2007, Copenhagen, Denmark, 27-31 August 2007
  
• Reproduction of arbitrarily shaped sound sources with wave field synthesis - theory and implementation
  Marije A.J. Baalman | Conference paper | 2006
  
  Tonmeistertagung 2006, Leipzig, 16-19 November 2006
  
• swonder3Dq: Auralisation of 3D objects with wave field synthesis
  Marije A.J. Baalman. | Conference paper | 2006
  
  read... 4th International Linux Audio Conference, ZKM, Karlsruhe, April 27-30, 2006
  
• Discretisation of complex sound sources for reproduction with wave field synthesis
  Marije A.J. Baalman | Conference paper | 2005
  
  DAGA '05, 14 - 17 March 2005, München
  
• Updates of the WONDER software interface for using wave field synthesis
  Marije A.J. Baalman | Conference paper | 2005
  
  read... 3rd International Linux Audio Conference, April 21-24, 2005, ZKM, Karlsruhe
  
• Elevation problems in the auralisation of sound sources with arbitrary shape with wave field synthesis
  Marije A.J. Baalman | Conference paper | 2005
  
  read... International Computer Music Conference 2005, 1-6 September 2005, Barcelona, Spain
  
• Application of wave field synthesis in electronic music and sound installations
  Marije A.J. Baalman | Conference paper | 2004
  
  read... 2nd International Linux Audio Conference, 29 april - 2 Mai 2004, ZKM, Karlsruhe
  
• WONDER - a software interface for the application of wave field synthesis in electronic music and interactive sound installations
  Marije A.J. Baalman and D. Plewe | Conference paper | 2004
  
  read... International Computer Music Conference 2004, Miami, 1-6, November 2004
  
• Toepassing van golfveldsynthese in de compositie van electronische muziek
  Marije A.J. Baalman | Conference paper | 2003
  
  NAG Journaal, bijeenkomst van 17 september 2003. Nederlands Akoestisch Genootschap
  
• The STRIMIDILATOR, a string controlled MIDI-instrument
  Marije A.J. Baalman | Conference paper | 2003
  
  read... New Interfaces for Musical Expression (NIME) 2003, Montreal, Canada, 22-24 May 2003
  
• Application of wave field synthesis in the composition of electronic music
  Marije A.J. Baalman | Conference paper | 2003
  
  read... International Computer Music Conference 2003, Singapore, 29 September - 4 October 2003
  
• Spaciousness in concert halls: Perceptibility of IACC-differences
  Marije A.J. Baalman | Master's thesis | 2002
  
  TU Delft, the Netherlands