SC140
Over the course of 2009, tweeting SuperCollider had become rather popular - it is quite impressive how in just 140 characters of code, quite a bit of compositional complexities are created.
Of these tweets, a collection was created of 22 pieces by artists from around the world, each piece created with just 140 characters of code, in conjunction with The Wire and curated by Dan Stowell.
01 by Nathaniel Virgo
{LocalOut.ar(a=CombN.ar(BPF.ar(LocalIn.ar(2)*7.5+Saw.ar([32,33],0.2),
2**LFNoise0.kr(4/3,4)*300,0.1).distort,2,2,40));a}.play//#supercollider
02 by LFSaw
{Splay.ar(Ringz.ar(Impulse.ar([2, 1, 4], [0.1, 0.11, 0.12]), [0.1, 0.1, 0.5]))
* EnvGen.kr(Env([1, 1, 0], [120, 10]), doneAction: 2)}.play
03 by Tim Walters
play{({|k|({|i|y=SinOsc;y.ar(i*k*k,y.ar(i*k**i/[4,5])*Decay.kr(Dust.kr(1/4**i),
y.ar(0.1)+1*k+i,k*999))}!8).product}!16).sum}//#supercollider
04 by Nathaniel Virgo
b=Buffer.read(s,"sounds/a11wlk01.wav");play{t=Impulse.kr(5);
PlayBuf.ar(1,b,1,t,Demand.kr(t,0,Dseq(1e3*[103,41,162,15,141,52,124,190],4)))!2}
05 by Batuhan Bozkurt
play{f=LocalIn.ar(2).tanh;k=Latch.kr(f[0].abs,Impulse.kr(1/4));
LocalOut.ar(f+CombC.ar(Blip.ar([4,6],100*k+50,0.9),1,k*0.3,50*f));f}//44.1kHz
06 by Batuhan Bozkurt (refactored by Charles Celeste Hutchins)
f={|t|Pbind(\note,Pseq([-1,1,6,8,9,1,-1,8,6,1,9,8]+5,319),\dur,t)};
Ptpar([0,f.(1/6),12,f.(0.1672)],1).play//#supercollider reich RT @earslap
07 by Thor Magnusson
play{x=SinOsc;y=LFNoise0;a=y.ar(8);(x.ar(Pulse.ar(1)*24)+x.ar(90+(a*90))+
MoogFF.ar(Saw.ar(y.ar(4,333,666)),a*XLine.ar(1,39,99,99,0,2)))!2/3}
08 by Charlie Hoistman
Ptpar(({|i|[i*8,Pbind(\scale,[0,2,4,7,9],\degree,Pseq(32.fib.fold(0,10),4)+(2*i+i)-10,
\dur,1+2**i%2/6)]}!4).flat).play // #supercollider
09 by MCLD
{LocalOut.ar(a=DynKlank.ar(`[LocalIn.ar.clip2(LFPulse.kr([1,2,1/8]).sum/2)**100*100],
Impulse.ar(10)));HPF.ar(a).clip2}.play//
10 by Julian Rohrhuber
/*eclecticity*/ Ndef(\x, { SinOsc.ar(BrownNoise.ar(30!2, 200), Ndef(\x).ar * LFNoise1.kr(1!2,1,1)) }).play;
11 by Micromoog
play{VarSaw.ar((Hasher.ar(Latch.ar(SinOsc.ar((1..4)!2),Impulse.ar([5/2,5])))*300+300).round(60),
0,LFNoise2.ar(2,1/3,1/2))/5}//#supercollider
12 by Jose Padovani
play{x=165;b=SinOsc;p=Trig.ar(Saw.ar(x),1);y=b.ar(p*x);z=b.ar(p);
(GVerb.ar(GrainIn.ar(2,y,y/2,z,p*z,-1),9))/9}//basso gettato #SuperCollider
13 by Batuhan Bozkurt
play{LeakDC.ar(BRF.ar(Saw.ar(8,Decay2.kr(x=Duty.kr(1/8,0,Drand([0,Drand((0.4,0.5..1))],inf)),
0.01,0.3))**1.5,x*20+[45.1,45],0.1)).tanh}//#sc
14 by Nathaniel Virgo
Ndef('x',{x=Ndef('x').ar+0.01;a=BPF.ar(x,6**Latch.ar(x,Dust.ar(x))*200,0.1).sin;
9.do{a=AllpassN.ar(a,0.2,{0.2.rand}!2,9)};a+a.mean}).play;
15 by Jason Dixon
{x=Array.fill(5,{[0.00001,0.03].asSpec.map(LFNoise2.kr(3))});
Splay.ar(Friction.ar(LFTri.ar(50),friction:x,mass:x*30000))}.play
16 by Batuhan Bozkurt
play{AllpassC.ar(SinOsc.ar(55).tanh,0.4,TExpRand.ar(2e-4, 0.4,Impulse.ar(8))
.round([2e-3,4e-3]),2)};// #supercollider with bass please...
17 by redFrik
{RHPF.ar(GbmanN.ar([2300,1150]),LFSaw.ar(Pulse.ar(4,[1,2]/8,1,
LFPulse.ar(1/8)/5+1))+2)}.play //punk (loud!)
18 by Nathaniel Virgo
play{p=PinkNoise.ar(1!2);BRF.ar(p+Blip.ar(p+2,400),150,2,0.1)+
LPF.ar(FreeVerb2.ar(*LPF.ar(p+0.2*Dust.ar(0.1),60)++[1,1,0.2,1e4]).tanh,2000)}
19 by MCLD
{a=[0.02,0.1,1,2,3,4]; k=LFPar.kr(a+0.5).sum; f=Latch.kr(k,Impulse.kr(a));
Splay.ar(SinOsc.ar(f*100+300)/5)}.play // #supercollider
20 by Sciss
play{2.collect{RecordBuf.ar(Limiter.ar(HPF.ar(Convolution2.ar(k=Crackle.ar(l=Line.kr(1,2,90)),
b=LocalBuf(2048),Dust.kr(4)),8)+k)*(2-l),b)}}
21 by Andrea Valle
{13.do{|i|k="SuperCollider"[i].ascii;20.do{|u|{MoogFF.ar(Saw.ar((k/4).midicps)*
EnvGen.ar(Env.perc),u+k*9,k/30)}.play;(k*0.001).wait}}}.fork
22 by MCLD
play{a=Duty.kr(0.1,0,Dseq(fib(32).wrap(20,55).midicps,inf));
HPF.ar(LeakDC.ar(Splay.ar(LFCub.ar([-1,a,a/3,-2])))*9).clip2/9};//#supercollider
Source code (c) the authors, published under CC by-NC-SA-3
